Here are some of the best outfits from the fourth day of Malta Fashion Week.
Who do you think wore it best?
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‘Malta Fashion Week is an annual event that celebrates fashion, culture, and creativity. It brings together designers, models, industry professionals, and fashion enthusiasts to showcase the best of local and international fashion.’
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Love Island Malta Season 2 runner-ups Matthias & Henrika reunited with host Yazmin Helledie for Malta Fashion Week Day 4.
The couple took to the ongoing festival of all things fashion and caught up with the host who entered the villa on occasion to announce new bombshells, eliminations and, eventually, the results.
We also got to see Matthias and Henrika continue their relationship outside the villa – and doing it in style.
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Love Island Malta Season 2 winners Clinton and Tamika spoke out for the first time since their crowning as winners.
The two expressed how grateful they are for the voting and support of the public and that they needed to take some time to process it all.
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The couple hinted at what would be coming next, with Clinton anticipating some music and other creative content. Tamika says she’s still unsure in that regard but will be keeping her followers updated on the day to day.
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The recent Mediterrane Film Festival in Malta has sparked significant debate between the Malta Entertainment Industry and Arts Association (MEIA), the Malta Producers’ Association (MPA), and the Malta Film Commission over the direction and priorities of Malta’s film industry.
The MEIA and MPA have voiced concerns about the state of the Maltese film industry following the festival’s conclusion. In a joint statement, they criticized the festival for overlooking the realities of grassroots filmmakers in Malta, despite Film Commissioner Johann Grech’s positive remarks on the growth of filmmaking in Malta.
They pointed out a glaring absence of Maltese films at the festival, suggesting that the local industry’s success is not being fully realized.
They emphasized three key issues: the need for a cohesive National Film Policy, the promised but unfulfilled increase in the Domestic Screen Production Fund, and the urgent requirement for revised cash rebate guidelines.
In 2022, Minister for Tourism Clayton Bartolo announced the ‘Vision 2030’ strategy aimed at promoting the indigenous film industry, but this strategy has yet to materialize. The MEIA and MPA argue that the current fragmentation between the Arts Council Malta and the Malta Film Commission hinders the creation of a functional film ecosystem. A cohesive policy is crucial to support, train, and employ Maltese filmmakers sustainably.
The Labour Party’s 2022 electoral manifesto included a promise to increase the national film fund’s budget to €2 million, but this commitment has not been fulfilled. The MEIA and MPA pointed out that the fund has been inconsistently issued, placing local filmmakers at a disadvantage. They urged for clarity and expedited allocation of funds to make the Maltese film industry vibrant and competitive.
While the cash rebate scheme has successfully attracted international productions, the MEIA and MPA emphasized the need for revised guidelines to ensure that investments benefit the local economy and filmmaking community. They called for the immediate publication of the revised guidelines for 2024 and an inclusive consultation process for 2025.
They concluded by urging the government and relevant authorities to address these disparities to create a supportive environment for local filmmakers and to realize the full potential of Malta’s film industry.
Response by the Malta Film Commission
In response, the Malta Film Commission, led by Johann Grech, issued a statement explaining the primary aim of the Mediterrane Film Festival as a strategic marketing tool to attract investment and bolster Malta’s commercial film sector.
Grech emphasized the distinction between attracting foreign investment and funding local productions, asserting that the festival’s role is to stimulate economic growth by showcasing Malta’s capabilities to international producers. He highlighted that the festival has successfully showcased Malta’s potential to attract film productions, leading to record investment levels and significant economic benefits.
The Commission differentiated the use of public funds for foreign investment and local cultural productions. While acknowledging an increase in funds for local productions, they noted that the responsibility for local film funding now lies with the Arts Council Malta. This shift allows the Film Commission to focus on attracting foreign investments and supporting local productions through cash rebates and regulatory frameworks.
Addressing the cash rebate program, the Commission underscored its importance in attracting foreign direct investment and supporting local productions. They confirmed that the government remains committed to maintaining and enhancing these incentives to keep Malta competitive in the global film industry.
The Malta Film Commission reaffirmed their commitment to growing the film industry through strategic investments and effective marketing, ensuring that Malta remains an attractive destination for international film productions.
The statements from the MEIA, MPA, and the Malta Film Commission reveal a complex and evolving debate about the future of Malta’s film industry.
While the MEIA and MPA call for more structured support for local filmmakers through policy, funding, and rebate adjustments, the Malta Film Commission focuses on leveraging international investment to stimulate economic growth and provide broader opportunities. The path forward will likely require balancing these perspectives to foster both local and international success in Malta’s film industry.
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