In the opulent Throne Room of the Palace in Valletta, the malta biennale.art has been unveiled, marking its debut in Malta. Running until the end of May, this biennale, endorsed by the President of Malta, showcases contemporary art from around the country. Over the coming months, Malta will take center stage in the global cultural and artistic calendar, with a theme centered on the Mediterranean, titled ‘White Sea Imbued with Zebbug’. Organized primarily by Heritage Malta, MUŻA, and the Maltese Arts Council, the event will feature the works of over a hundred artists.
The opening ceremony, graced by a visually captivating display, saw addresses from Prime Minister Robert Abela, Minister for National Heritage, the Arts and Local Government Owen Bonnici, Heritage Malta Chairman Mario Cutajar, and the Biennale’s Curator, Sofia Baldi Pighi.
Prime Minister Abela highlighted the significance of hosting this biennale in a region regarded as the natural habitat for artists. He emphasized Malta’s enduring role in spotlighting the Mediterranean and sharing its voice globally. Proudly, he noted Malta’s role as the inaugural host under UNESCO’s patronage. Dr. Abela underscored the inclusive nature of art and its importance in providing enriching experiences for families.
Minister Bonnici reflected on the cultural significance of the event, especially amidst current geopolitical tensions. He stressed Malta’s role in fostering peace, creativity, and cooperation through cultural exchange. The overwhelming response from artists worldwide, with over 2,500 proposals received, demonstrates the growing importance of platforms like malta biennale.art in facilitating artistic expression.
Mario Cutajar, Chairman of Heritage Malta and key figure in malta biennale.art, emphasized the event’s role in connecting Malta’s rich history with contemporary art. He emphasized the importance of introspection and understanding our past to navigate the future confidently.
In her brief remarks, Biennale Curator Sofia Baldi Pighi reiterated that art is not merely decorative but a dynamic force for societal engagement and critical discourse. She emphasized the inherently political nature of contemporary art, urging courage in addressing pressing issues and prompting thought-provoking questions rather than offering definitive answers.
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